Attacking your opponent’s king is not just a shortcut to victory, it’s also one of the most enjoyable and gratifying experiences in chess. If you want to win more games you should become a better attacker. Studying typical attacking motifs and ideas easily brings dividends while you are having a good time. Michael Prusikin presents the prerequisites and the rules for a King attack in a lucid and attractive manner. In 15 thematic chapters he teaches you how to assess the nature of the position, identify the appropriate offensive patterns, find the preliminary moves and conduct your attack in a clear and effective way. Battering rams, obstructive sacrifices, pawn storms, striking at the castled position, sacrificing a knight on f5, Prusikin demonstrates the most important patterns of attack with lots of clear and well chosen examples. Next, Prusikin tests your newly acquired insights and your attacking intuition with exercises covering all the themes and motifs. You will find that studying Attacking Strategies for Club Players is both entertaining and rewarding.
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Analyzing the Chess Mind is an exploration of psychology in chess. Psychology affects the chess moves we make, as the authors entertainingly illustrate in expertly annotated examples, but our personal chess psychology is not fixed. We can improve our chess psychology, and the authors show how.
To write about chess psychology, the ideal authors would have world-class chess skills and advanced professional qualifications in psychology, so GM Boris Gulko and Dr Joel Sneed are perfect for the task of Analyzing the Chess Mind.
Learning how to start a game of chess is one of the most daunting tasks facing intermediate adult and young chess players.
Sergei Tkachenko, a member of the Ukrainian team that won the 5th World Chess Composition Tournament in 1997 and which came second in 2000, 2004, 2013, and 2017, has selected 100 pawn endings composed by the leading Ukrainian problemist Mikhail Zinar. Zinar is a prolific endgame expert who has produced several hundred studies since the 1970s, with a focus on pawn endings. His works have appeared in many leading Russian-language chess publications, including Chess in the USSR, 64 – Chess Review, and Chess Bulletin. He collaborated with Yuri Averbakh on the second edition of Averbakh’s Chess Endings (1983), in which he revised the theory of “corresponding squares”. In the foreword, Averbakh wrote: “Chapter ten, devoted to corresponding square systems, was written by chess composer M.A. Zinar – a big specialist in pawn endings. Otherwise, this chapter would have looked out of date.” Zinar co-authored a Russian-language manual for creating pawn studies with Vladimir Archakov in 1990 called Harmony of the Pawn Study. He collaborated with Tkachenko in compiling this book.
Planning is of crucial importance in chess and yet this is an area that has not been well discussed or explained to ambitious players who wish to improve. A very well known saying in chess is “Better a bad plan than no plan at all”. Playing without a plan – effectively staggering from one move to the next – is a recipe for disaster. It is essential to have some kind of idea of what you are trying to achieve and how to go about it. However, planning is not a straightforward matter. A good plan might be very short, lasting just two or three moves. Another plan might require almost an entire game to implement. A plan can be highly ambitious and complex or somewhat modest and simple. In chess, as in life, circumstances can change quickly and when they do, new plans are needed. How is a player expected to juggle all these different concepts while dealing with the immediate problems posed by the opponent’s most recent move? In this book, grandmaster and experienced author Zenón Franco explains planning in detail. He organises material in terms of: typical structures, advantage in space, manoeuvring play, simplification and, finally attack and defence. Using games played by elite players he explains how plans are formed and carried out in these different scenarios.
The author presents a full opening repertory for the club player, which is analysed in seven volumes. In the books you will find many novelties for both sides, with a full move-to-move presentation. Furthermore, the reader will get access to middlegame strategies, endgame techniques and common tactical motifs, which are patterning the proposed variations.
In the first volume the openings of the Slav Defence, the Gruenfeld Defence and the Blumenfeld Gambit are presented.
This ebook is a part of Bundle: Grivas Opening Laboratory
In this book, aimed at strong tournament players (1900-2300 Elo or fast improving juniors) the authors introduce a wider approach to developing middlegame tactical and positional skills that a formidable chess player needs. Specifically, they present 111 positions from games of grandmasters played in 2019, including super-GMs such as Magnus Carlsen, Fabiano Caruana, Ding Liren, Anish Giri, Ian Nepomniachtchi, Daniil Dubov, Wesley So, Hikaru Nakamura, Levon Aronian, and Wang Hao, in which they first explain the mistake made by one of the players in underestimating their opponent’s counterplay, then they analyze how the game progressed where punishment for the mistake is meted out. After that, they return to the starting position to demonstrate the correct or a more promising continuation. Therefore, the text is structured so that each challenge contains the starting diagram twice – before the moves in the actual game, and then, on the page overleaf, before the solution. There are numerous elements that a chess player should keep in mind in the middlegame and the authors have designed this book to address specific middle-game thematic mistakes: unsound sacrifices, creating imaginary threats, imaginary defense against threats, pawn-grabbing, give check or attack material – which is best?, wrong evaluation of changes to the pawn structure, lack of vigilance in decision-making, replacing strategy with tactics and taking wrong positional decisions. Studying these key fragments from grandmaster games will help a player to develop their middlegame approach. Firstly, the student analyzes why a move or series of moves by one of the players was erroneous. What counterplay by the opponent did the player making the mistake underestimate? Secondly, armed with this answer, the student can review the position to try and figure out the better move. If the student is working with a coach, then the coach should first set up the position on the board, demonstrate the erroneous move played, and ask the student to find the refutation to that bad move. After the refutation is found by the student, the coach should once again set up the critical position and ask the student to find the strongest continuation for the initial player. This may be one or more moves, depending on the position. Naturally, in the case of self-study the student can change their approach, either trying to figure out the refutation to the error by covering up the subsequent text, or simply studying the moves in the game before trying to find the better continuation, which is detailed overleaf together with the starting diagram.
Rook endings are the most frequently seen among all endgames. In fact, more than 60% of all endings are rook endings, and the reason is simple: rooks generally enter the game much later than other pieces. Part 6 of the first FIDE-approved endgame manual, written by 3 of the world leading experts: FIDE Senior Trainers IGM Mikhalchishin, IGM Grivas and IGM Balogh and it covers basic rook endgames.
Positional technique is what you need and this book teaches exactly that in 15 thematic lessons. The training material is based on 80 games of the legendary positional genius Ulf Andersson, a world elite player from Sweden who reached number four on the FIDE rating list.
In this, his penultimate work, legendary chess instructor Mark Dvoretsky (1947-2016) explores identifying and dealing with problems on the chessboard.