Every player who meets 1.e4 with 1...e5 needs a reliable response to the Ruy Lopez, and The Berlin Defence is an ideal solution. Ever since Vladimir Kramnik used the Berlin to shut down Garry Kasparov’s best efforts in their 2000 World Championship match, practically all of the world’s top players have successfully incorporated the “Berlin Wall” into their repertoires. GM Michael Roiz presents a complete repertoire for Black after 1.e4 e5 2.Nf3 Nc6 3.Bb5 Nf6, offering top-class antidotes to anything White may try. From the famous Endgame Variation to recently fashionable tries such as 4.d3, Roiz combines cutting-edge analysis with insightful positional guidance.
The author has countless practical suggestions for improving your endgame play in this era of rapid-time controls so that you don’t end up “drowning” in the ocean of endgame theory. Let Mark Dvoretsky help you win more games as he examines some elementary endgame errors from master play and shows you how to avoid making the same mistakes.
Rook endgames are the most frequently recurring endgames and also one of the most exciting areas of chess, with mind bending tactical opportunities and dizzying nuances available. They have unsurprisingly been a big topic in endgame literature, with a heavy focus on the set theoretical positions and their logic and fixed conclusions (see the excellent Theoretical Rook Endgames by GM Sam Shankland, published as a sister volume to this book as the peak example of this).
Conceptual Rook Endgames goes in a different direction. Focused on two dozen major concepts, the book explains the mechanisms of rook endgames in a novel way, by building foundations with simple examples, which can be seen in the most complicated examples as well. Rook endgames will remain rich and surprising, as they are for the greats, but armed with this book, your comprehension of them will skyrocket.
Grandmaster Jacob Aagaard is the most talented chess writer of his generation. He won the British Championship in 2007, but is mostly known for his multi-award winning books and his work with students that have won club, country, state, national, continental and world championships, as well as Olympiad golds (board and overall), the World Cup and Candidates tournament.
The Queen’s Gambit is easily the most talked-about chess opening since the immensely popular Netflix TV series of the same name became a hit. The screen adventures of Beth Harmon have inspired thousands to start playing the Royal Game but didn’t offer any information on this highly popular chess opening. This book fills that gap.
German Grandmaster Michael Prusikin presents a solid but dynamic opening repertoire for Black against the Queen’s Gambit. He wants you to understand rather than memorize what is important. His primary focus is on explaining the relevant pawn structures and the middlegame ideas behind the lines he recommends.
Prusikin deals with every single variation of the Queen’s Gambit in a way that is highly accessible for club players but at the same time surprisingly effective and concise: the Catalan, Tartakower, Carlsbad, London, Colle, Veresov, and all the others. As a bonus, the FIDE Senior Trainer also provides responses to openings such as the Bird, Réti, and Nimzo-Larsen. It may seem unlikely, and yet it is true: in less than 200 pages, Countering the Queen’s Gambit has Black covered for really every first move except 1.e4!
To test your newly acquired insights in the tactical motifs and strategic ideas of the Queen’s Gambit, you are invited to solve 36 exercises in carefully selected key positions from actual games.
Nikolaos Ntirlis provides a top-class repertoire for Black after 1.d4 d5 with the Queen’s Gambit Declined. In addition to the classical QGD, Ntirlis offers a complete repertoire against the Catalan, London System, Torre and all other significant alternatives from move 2 onwards.
Van Delft has created a unique thematic structure for all types of positional sacrifices. He shows the early historical examples, explains which long-term goals are typical for each fundamental theme and presents lots of instructive modern examples. He then concentrates on those sacrifices that have become standard features of positional play. Solving the exercises he has added will further enhance your skills. Playing a positional sacrifice will always require courage. Merijn van Delft takes you by the hand and not only teaches the essential technical know-how, he also helps you to recognize the opportunities when to take the plunge. Mastering Positional Sacrifices is bound to become a modern-day classic.
In this book, aimed at strong tournament players (1900-2300 Elo or fast improving juniors) the author introduces a wider approach to developing endgame tactics skills that a formidable chess player needs. Specifically, he presents 101 positions from games of grandmasters played in 2019, including super-GMs such as Magnus Carlsen, Ding Liren, Alireza Firouzja, Maxime Vachier-Lagrave, Alexander Grischuk, Wang Hao, Alexei Shirov, Samuel Shankland, Kirill Alekseenko, and Levon Aronian, in which he first explains the mistake made by one of the players in underestimating their opponent’s counterplay, then he analyzes how the game progressed where punishment for the mistake is meted out. After that, he returns to the starting position to demonstrate the correct or a more promising continuation. Therefore, the text is structured so that each challenge contains the starting diagram twice – before the moves in the actual game, and then, on the page overleaf, before the solution. Studying these key fragments from grandmaster games will help a player to develop their endgame approach. Firstly, the student analyzes why a move or series of moves by one of the players was erroneous. What counterplay by the opponent did the player making the mistake underestimate? Secondly, armed with this answer, the student can review the position to try and figure out the better move. If the student is working with a coach, then the coach should first set up the position on the board, demonstrate the erroneous move played, and ask the student to find the refutation to that bad move. After the refutation is found by the student, the coach should once again set up the critical position and ask the student to find the strongest continuation for the initial player. This may be one or more moves, depending on the position. Naturally, in the case of self-study the student can change their approach, either trying to figure out the refutation to the error by covering up the subsequent text, or simply studying the moves in the game before trying to find the better continuation, which is detailed overleaf together with the starting diagram.
Endgame Labyrinths presents the reader with 1002 challenging studies selected and truncated, with their usefulness for the practical player in mind. It is common for studies to be extended by less interesting manoeuvres or by incomprehensible sequences, before the main themes come into play. The studies in this book have been pruned to leave the reader with 1002 clear and solvable challenges.
A few years of extensive selection, analysis, reselection, reanalysis and refining have gone into putting together the study book for the practical player with the most value ever.
Steffen Nielsen is the reigning World Champion in endgame composition. His creativity and aesthetics in his compositions have had a massive influence on modern competition. He is a strong club player, with a good understanding of the difficulties practical players face over the board. Steffen is also a life-long supporter of the football club AaB, which is less successful...
GM Jacob Aagaard is one of the leading chess writers and trainers of his generation. His students have played successfully at all levels and continue to do so. His books are used all over the world, by top players and amateurs alike.
"Absolute Gold" – GM Anish Giri
I have always been interested by less theoretical Sicilians. I have been playing the Classical Sicilian for a long time and right before the covid period, I decided to find a new one. The Sicilian Kan came to me as a very serious option, and I decided to work on it. In the meantime, my friend and editor Daniël Vanheirzeele offered me the chance to author a book about it. This came to me as a complete surprise, as I had no experience with it. In comparison with my work on the Reti and the Dutch (my two previous books), I am a newbie on the subject. But I decided to accept the challenge. I found it extremely interesting, as this gave me a fresh look at the positions. I think I managed to ask myself the questions everyone would have asked. I also work as a second for others and am accustomed to working on openings I do not necessarily play as well as finding the key ideas very quickly. So, after a deep initial work to understand the variations, I was ready to start writing!